Maisie Hatfield

Foundation Diploma in Art, Design & Media Practice - Farnham

Theme

My fascination with texture, colour and composition has developed my passion for textile design. My work is strongly inspired by natural forms and organic shapes alongside my love of colour. Through my project, I have explored the psychology of interior design and colour theory to evoke emotion and benefit wellbeing.

My final project, Channelling Calm and Positivity, has allowed me to explore how interior design can enhance wellbeing and create positive spaces. I have experimented with many different 3D techniques to create a vignette made up of my own digital prints, a large-scale woven wall hanging, handmade porcelain tealight holders and a clay plant pot. This display aims to create a designated calming space to relax in which I feel is very important, especially in recent times. During the pandemic, working from home dramatically altered how we use space in our homes which has become more fragmented. My survey results strongly suggested the need for a relaxing space away from work and everyday stresses. Through the use of colour, texture and shape, my vignette channels a feeling of calm and positivity. The concept of colour theory and psychology intrigues me and alongside my research into this topic, I have developed my designs and palette.

Through mark making and digital design, I have developed my own prints, influenced by the shapes and forms of spring flowers. These simplified patterns link to the renewal of spring, bringing a fresh and positive mood to my collection. Key print artists, such as Kate Loudoun-Shand influenced my use of simple, aesthetic patterns as did her use of traditional materials combined with modern, graphic prints. I was able to use my designs in my weave to add subtle hints of natural influence through pattern.

My main focus is the weaving piece, inspired by Crossing Threads and the curves and layers in natural landscapes and floral forms. The colours, materials and textures replicate the shapes and organic lines in nature. Building my own loom was a great initiative as I could work and reflect on my weaving constantly. Using a variety of weaving techniques, I created different textures, thicknesses and depth of woven pattern, creating contrast and interesting textural areas. My woven wall hanging acts as a statement piece to add colour and texture, as well as a tactile element. The weave muffles sound and reduces echo, creating a soothing and quiet atmosphere.

Light was an important consideration for my vignette as it affects mood. Soft candlelight adds tranquillity to an interior space and is very popular in the Scandinavian theory of Hygge, which encompasses cosiness, comfort and wellness. After multiple experimentations with both clay and porcelain, I chose to form tealight holders from cold porcelain. I was inspired by Coup de Foudre whose work features porcelain, creating delicate light installations. Porcelain lets light shine through, creating an ambient glow, adding warmth and a cosy feel. Each of my tealight holders is inspired by the overlapping and organic forms of petals and spring flowers.

@maisiehdesigns

Maisie Hatfield | Pre-degree & Foundation Studies 5
Channelling Calm & Positivity Vignette
Maisie Hatfield | Pre-degree & Foundation Studies
Print designs influenced by spring flowers and organic shapes through mark making and simple line drawings which were adapted into digital patterns.
Maisie Hatfield | Pre-degree & Foundation Studies 4
Materials Board to develop ideas for colour, texture and shape in my vignette, with a focus on calm colours and soft fabrics, amongst natural influences.
Maisie Hatfield | Pre-degree & Foundation Studies 1
Porcelain tealight holders inspired by simplified and abstracted shapes of petals and floral forms..
Maisie Hatfield | Pre-degree & Foundation Studies 3
Photograph of my final vignette including my porcelain tealight holders, patterned fabric, handmade plant pot and woven wall hanging, evoking calm and positivity.
Maisie Hatfield | Pre-degree & Foundation Studies 2
My large-scale woven wall hanging made up of a variety of recycled fabrics, threads and ceramic discs to reflect the organic forms of nature and landscapes.